I’m Your Captain (Closer to Home)- Grand Funk Railroad

I’m your captain, I’m your captain,
Though I’m feeling mighty sick.

Who knew Grand Funk Railroad’s fans were so wonderfully nuts? I mean, look at them going crazy in that video.

On the surface, Grand Funk Railroad’s “I’m Your Captain” tells a story about a ship captain who fears a mutiny. Due to the surreal nature of being away from home for so long—and due to illness–he can’t tell if he is imagining the mutiny or if he is just being vigilant.  He knows one cure for all of these problems: If he could only get home all of these fears and problems would be eliminated.

This literal interpretation works just fine. It does a great job of explaining a unique situation that creates a universal feeling of dread and fear—one we can all perhaps relate to. Each of us have felt afraid in strange circumstances, I can’t imagine the feelings of danger one must feel as a captain in the middle of the ocean. Though “I’m Your Captain” does a good job of bridging that gap.

I'm Your Captain Meaning
Grand Funk Railroad

There is a plethora of figurative interpretations of this song; interpretations that might hit closer to home for you than the literal one. The Vietnam War was being fought during the time this song was written, and it is possible to imagine many young men suddenly given positions of authority halfway across the world. I can imagine they dreamt everyday of getting “closer to home”. I imagine this song resonates strongly with many Vietnam Vets.

The sound is an interesting combination of southern rock and progressive rock. Southern rock brings the layered guitar sound, long jams and relatively simple melodies combined with progressive rock’s multitude of instruments, dream-like sound and/or themes and heavy post-production. It sounds like an odd combination! However, this accounts for the radically different sound in the verses, bridge and outro. The verses are clearly inspired by the southern rock sound, while the outro is progressive rock.

The instrumentation throughout is great, but especially the rhythm section. Both the bass and drums feel like they drive the song. In the outro, the transition to the orchestra with a solo flute creates perhaps its signature sound.

I’m Your Captain (Closer to Home) Lyrics

Everybody listen to me,
And return me my ship.
I’m your captain, I’m your captain,
Though I’m feeling mighty sick.

I’ve been lost now for days uncounted,
And it’s months since I’ve seen home.
Can you hear me? Can you hear me?
Or am I all alone?

If you return me to my home port,
I will kiss you Mother Earth.
Take me back now, take me back now,
To the port of my birth.

Am I in my cabin dreaming?
Or are you really scheming
To take my ship away from me?

You’d better think about it,
I just can’t live without it.
So please don’t take my ship from me!

I can feel the hand of a stranger,
And it’s tightening around my throat.
Heaven help me, Heaven help me,
Take this stranger from my boat.

I’m your captain, I’m your captain,
Though I’m feeling mighty sick.
Everybody listen to me,
And return me my ship.

I’m your captain.
Yeah, yeah, yeah, yeah,
I’m your captain.
Yeah, yeah, yeah, yeah.

I’m your captain,
Yeah, yeah, yeah, yeah.
I’m your captain,
Yeah, yeah, yeah, yeah.

I’m getting closer to my home,
I’m getting closer to my home.
I’m getting closer to my home,
I’m getting closer to my, closer to my home.

Everybody listen to me,
And return me my ship.
I’m your captain, I’m your captain,
Though I’m feeling mighty sick.

Songwriters: Mark Farner

Maps- Yeah Yeah Yeahs

Oh say/
Wait, they don’t love you like I love you…

The Yeah Yeah Yeahs “Maps” is a song about a couple that is separating–it seems the woman is leaving town due to work obligations. The couples’ love is new. They are in that in-between stage: where they are not ready to commit to each other long-term, but not ready to just dismiss each-other as a fling. This parting will bring the narrator great pain: She has fallen for him.

She wants him to ask her to stay so that she can answer “yes”, and they can be together. Or perhaps he could come along. But, for whatever reason, these simple solutions do not appear to be options to her—though they seem obvious to us. Could they not have an adult conversation about the future? She already knows she want to be with him.

Perhaps they are young. Perhaps she is afraid of rejection. Perhaps they have had the conversation, and she feels stronger about him than he does about her. We don’t know.

Maps Meaning
Karen O.

The most interesting lyric is the one featured above, where the narrator explains that she wishes her lover to say, “Wait, they don’t love you like I love you”. This seems to be implying that the professional obligation could be a music tour and the song is autobiographical. This adds a level of intrigue to the song. Songs that are personal and describe experiences unique to that person tend to connect more emotionally with the audience.

The Yeah Yeah Yeahs have a unique sound because they are not a traditional “three-piece rock band”. In a traditional three-piece band, you have a guitar player, a bass player and a drummer. (Think Green Day, The James Gang, The Jimi Hendrix Experience, The Police, Cream, Nirvana, etc.)

The Yeah Yeah Yeahs have Karen O on vocals, a guitarist and drummer. So, their sound is a little thinner (the studio version adds a bass in the chorus). They are more of a two-piece band. Also, Karen’s voice is extremely unique and she delivers a memorable, emotional vocal.

Maps Lyrics

Pack up,
I’m straight.
Enough.

Oh say, say, say.
Oh say, say, say.
Oh say, say, say.
Oh say, say, say.
Oh say, say, say.

Wait, they don’t love you like I love you.
Wait, they don’t love you like I love you.
Maps,
Wait, they don’t love you like I love you.

Made off,
Don’t stray.
Well, my kind’s your kind.
I’ll stay the same.
Pack up,
Don’t stray.

Oh say, say, say.
Oh say, say, say.

Wait, they don’t love you like I love you.
Wait, they don’t love you like I love you.
Maps,
Wait, they don’t love you like I love you.

Wait, they don’t love you like I love you.
Maps,
Wait, they don’t love you like I love you.

Wait, they don’t love you like I love you.
Wait, they don’t love you like I love you.
Maps,
Wait, they don’t love you like I love you.

Wait, they don’t love you like I love you.
Maps,
Wait, they don’t love you like I love you.

Songwriters: Brian Chase / Karen Lee Orzolek / Nicholas Joseph Zinner

The One that Got Away (acoustic)-Katy Perry

In another life
I would be your girl

In “The One that Got Away” Katy Perry thinks about a prior boyfriend and wonders how her life might be had things worked out a different way. What if they hadn’t broken up? What if she had valued their relationship more? In a different world—one where she made different decisions–she might be still with him all these years later.

The fact that those decisions can be so small but lead to such a largely different future is a complicated concept to grasp when you’re young. One movie that deals with this concept well is Sliding Doors.

The One that Got Away meaning
Katy Perry

 

Perry reminisces about how close she and her ex were—they were inseparable. They spoke of forever, made promises, even got matching tattoos. Were they just clueless about the difficulties of making relationships last? Or was it all just meaningless? I think we know how she feels.

However, what she is really wondering is if he feels the same way about her. Is she “the one that got away” for him, just as he is for her? She heard he got their tattoo removed and is beginning to come to the realization that he does not romanticize her the same way she does him.

The One That Got Away
Perry

Perhaps one of the most interesting aspects of the song is how personal it seems. If one has these feelings, is it appropriate to be seriously involved with another person? How can a new boyfriend compete with a romanticized ghost?

The sound of the acoustic version really captures the emotional aspect of the lyrics well. The regular version is completely off. Her feelings are regretful, sad, nostalgic; these emotions are perfectly captured in the acoustic version. It is a different sound that what one might expect from Katy Perry. One could argue that the song could even be stripped down more.

Perry’s voice sounds good—especially the lower notes. I think most artists would be tempted to sing those a couple octaves higher. The song has a great sounding verse and chorus—making for an altime great song. The bridge does a decent job of transitioning between the two while summarizing the meaning of “The One Who Got Away”. This is Perry’s best work.

The One Who Got Away Lyrics

Summer after high school when we first met
We’d make out in your Mustang to Radiohead
And on my 18th birthday we got matching tattoos
Used to steal your parents’ liquor and climb to the roof
Talk about our future like we had a clue
Never planned that one day I’d be losing you

In another life
I would be your girl
We’d keep all our promises
Be us against the world
In another life
I would make you stay
So I don’t have to say you were
The one that got away
The one that got away

I was June and you were my Johnny Cash
Never one without the other, we made a pact
Sometimes when I miss you I put those records on (whoa)
Someone said you had your tattoo removed
Saw you downtown singing the blues
It’s time to face the music, I’m no longer your muse

But in another life
I would be your girl
We’d keep all our promises
Be us against the world
In another life
I would make you stay
So I don’t have to say you were
The one that got away
The one that got away

The one
The one
The one
The one that got away
All this money can’t buy me a time machine, no
Can’t replace you with a million rings, no
I should’ve told you what you meant to me (whoa)
‘Cause now I pay the price

In another life
I would be your girl
We’d keep all our promises
Be us against the world
In another life
I would make you stay
So I don’t have to say you were
The one that got away
The one that got away
The one (the one)
The one (the one)
The one (the one)

In another life
I would make you stay
So I don’t have to say you were
The one that got away
The one that got away

Songwriters: Katy Perry / Lukasz Gottwald / Max Martin