#216 Goodnight Saigon- Billy Joel

We said we’d all go down together/
Yes we would all go down together.

Billy Joel’s “Goodnight Saigon” is one of the most devastating songs about the Vietnam War. Any war really. Joel sings the song in the first person, but he never fought in the war. However, the picture he paints sounds as if he was really there. I read in interviews that he did research for this song. From the helicopter in the beginning to the slow, dreary lyrics and the weary music, this song is one of the best war songs.

Goodnight Saigon Meaning
Billy Joel

It is not a typical protest song, though Joel would certainly be anti-war. The message of the song is that the soldiers fight for each other, and that a special bond develops between them because of their closeness to death. Also, Joel emphasizes how young the soldiers are that are fighting the war.

The sing-along at the end is a great use of the medium. He imagines a song that they might all sing while doing rounds: “And we will all go down together…” I can imagine later soldiers adopting this line and calling it out as they march for miles. It fits in the song well and is very inventive.

Goodnight Saigon Lyrics

We met as soulmates
On Parris Island,
We left as inmates,
From an asylum.
And we were sharp,
As sharp as knives.
And we were so gung ho to lay down our lives.

We came in spastic,
Like tameless horses.
We left in plastic,
As numbered corpses.
And we learned fast,
To travel light.
Our arms were heavy,
But our bellies were tight.

We had no homefront,
We had no soft soap.
They sent us playboy,
They gave us bob hope.
We dug in deep,
And shot on sight.
And prayed to Jesus Christ
With all of our might.

We had no cameras
To shoot the landscape.
We passed the hash pipe,
And played our Doors tapes.
And it was dark,
So dark at night.
And we held onto each other,
Like brother to brother,
We promised our mothers we’d write.

And we would all go down together,
We said we’d all go down together,
Yes we would all go down together.

Remember Charlie?
Remember Baker?
They left their childhood,
On every acre.
And who was wrong?
And who was right?
It didn’t matter
In the thick of the fight.

We, held the day,
In the palm of our hands.
They, ruled the night.
And the night, seemed to last
As long as six weeks
On Parris Island.
We held the coastline,
They held the highland.
And they were sharp,
As sharp as knives.
They heard the hum of the motors,
They counted the rotors,
And waited for us to arrive.

And we would all go down together,
We said we’d all go down together,
Yes we would all go down together.

Songwriters: Billy Joel

#215 To Sir With Love- Lulu/ 10000 Maniacs

How do you thank someone who has taken you from crayons to perfume?

Lulu’s “To Sir With Love” is one of the best soundtrack songs. The song manages to capture what is great about the movie in only a couple verses. The lyrics and the melody are incredible. The title of the movie is in the song! With a title like “To Sir With Love”, that is hard to pull off.

To Sir With Love Meaning
Lulu

There are so many classic lines that describe a young woman’s love/admiration for her male teacher (like the above). Think of all the less poetic ways someone might try to express that in a song. There are so many ways to screw that up but Black & London nail every line.

To Sir With Love Meaning
10000 Maniacs

Both the Lulu original version and the 10,000 Maniacs version with Natalie Merchant singing lead and featuring Michael Stipe from REM is really good. I suspect if you like one, you’ll like the other. Lulu enunciates better but I think Merchant has a better voice. Great movie too.

To Sir With Love Lyrics

Those schoolgirl days of telling tales and biting nails are gone.
But in my mind, I know they will still live on and on.
But how do you thank someone who has taken you from crayons to perfume?
It isn’t easy, but I’ll try.

If you wanted the sky I would write across the sky in letters
That would soar a thousand feet high ‘To Sir, With Love’.

The time has come for closing books and long last looks must end.
And as I leave, I know that I am leaving my best friend.
A friend who taught me right from wrong, and weak from strong;
That’s a lot to learn, but what can I give you in return?

If you wanted the moon I would try to make a start,
But I would rather you let me give my heart ‘To Sir, With Love’

Songwriters: Don Black / Mark London

#214 The Dangling Conversation- Simon & Garfunkel

We note our place with book markers/
That measure what we’ve lost.

The couple in Simon and Garfunkel’s “A Dangling Conversation” are intellectuals. Not just intelligent people, but the stuffy intellectual types who don’t own a TV, who talk about talking about intellectual conversation. They read literature because it is known it is “good literature”. You know the type.

High Society might look at these two and think they have it all: they speak of important matters like theater and philosophy and they are voracious readers—though it almost seems like a contest. But they seem out of sync.

The Dangling Conversation Meaning
Simon and Garfunkel

It also appears that the couple in “Dangling Conversation” is slightly older: Simon speaks of kissing a shadow of a former person and how they are living the ‘border of our lives’. Was this once a young, passionate couple? Is Simon fretting about growing older and the superficiality of life once the passion in a relationship is gone? Or is he commenting– in particular–on the intellectual classes’ seemingly sterile relationships?

I like that this is a somewhat unique concept for a rock/folk song. It explores love and relationships from a new angle. All the while it still has the requisite Simon melodies and S&G harmonies that we have come to expect from the group. The orchestration sounds different than most of their other work. It sounds like it is going for a more classic sound. Note the large array of instruments used such as the timpani, harp and xylophone. It feels stuffy and uptight…like something the couple would be into.

The Dangling Conversation Lyrics

It’s a still life watercolor
Of a now-late afternoon
As the sun shines through the curtain lace
And shadows wash the room

And we sit and drink our coffee
Couched in our indifference, like shells upon the shore
You can hear the ocean roar

In the dangling conversation
And the superficial sighs
The borders of our lives

And you read your Emily Dickinson
And I my Robert Frost
And we note our place with book markers
That measure what we’ve lost

Like a poem poorly written
We are verses out of rhythm
Couplets out of rhyme
In syncopated time (in syncopated time)

And the dangling conversation
And the superficial sighs
Are the borders of our lives

Yes, we speak of things that matter
With words that must be said
“Can analysis be worthwhile?”
“Is the theater really dead?”

And how the room is softly faded
And I only kiss your shadow, I cannot feel your hand
You’re a stranger now unto me

Lost in the dangling conversation
And the superficial sighs
In the borders of our lives

Songwriters: Paul Simon