Category Archives: outcasts

Songs about outcasts, misfits and rebels and people that are just a bit different and often misunderstood. These songs often have the best characters.

#497 Smooth Criminal- Michael Jackson

Annie are you okay, are you okay, Annie?

Most music critics will tell you that Billie Jean is Michael Jackson’s best song. It isn’t. “Smooth Criminal” is Jackson’s best song. (Sorry to spoil a bit of this list.) This song is out there. It shows off Jackson’s talent, knack for beat and bizarre song concepts perfectly.

The “Annie are you okay?” line is crazy. That is what we learned in freshman health class to when we practiced CPR on the dummies. It can’t be a coincidence that Jackson used the same line, can it? Was my teacher a closet Michael Jackson fan goofing on us? Was Jackson incorporating his CPR training into a song about killing? I almost don’t want to know the answer. Both are equally fantastic.

Smooth Criminal Meaning
The King of Pop

The lyrics of “Smooth Criminal” are particularly graphic. They describe the bloody murder of a woman. I can think of songs that take on similar dark topics, but few that are graphic like this (I don’t count rap songs). Strange Fruit is an example of an extremely dark song, but the language is mostly metaphorical. Jackson’s high octave range and staccato delivery soften the impact. But when you listen to the words they are pretty jarring.

The sound is dark and the signature guitar riff is great. I think it is one of his finer vocal performances as well. He sings the backup as well (I think) by layering his vocals. He appropriately speeds up the pace of the song to simulate the frantic nature of someone discovering a crime like this. It really is a fantastic concept for a song. There are a few too many of his trademark “Ows” and “Oohhs”, but some people like that. I could use 90% fewer.

Smooth Criminal Lyrics

As he came into the window,
Was a sound of a crescendo.
He came into her apartment,
He left the bloodstains on the carpet.

She ran underneath the table,
He could see she was unable.
So she ran into the bedroom,
She was struck down, it was her doom.

Annie, are you okay?
So, Annie are you okay?
Are you okay, Annie?
Annie, are you okay?
So, Annie are you okay?
Are you okay, Annie?
Annie, are you okay?
So, Annie are you okay?
Are you okay, Annie?
Annie, are you okay?
So, Annie are you okay? Are you okay Annie?

Annie are you okay?
Will you tell us that you’re okay?
There’s a sign at the window,
That he struck you, a crescendo Annie.
He came into your apartment,
Left the bloodstains on the carpet.
Then you ran into the bedroom,
You were struck down,
It was your doom.

Annie, are you okay?
So, Annie are you okay?
Are you okay, Annie?
Annie, are you okay?
So, Annie are you okay?
Are you okay, Annie?
Annie, are you okay?
So, Annie are you okay?
Are you okay, Annie?
You’ve been hit by,
You’ve been hit by,
A smooth criminal.

So they came into the out way,
It was Sunday, what a black day.
Mouth to mouth resuscitation,
Sounding heartbeats, intimidation.

Annie, are you okay?
So, Annie are you okay
Are you okay, Annie
Annie, are you okay?
So, Annie are you okay
Are you okay, Annie
Annie, are you okay?
So, Annie are you okay?
Are you okay, Annie?
Annie, are you okay?
So, Annie are you okay? Are you okay Annie?

Annie are you okay?
Will you tell us that you’re okay?
There’s a sign at the window,
That he struck you, a crescendo Annie.
He came into your apartment,
Left the bloodstains on the carpet.
Then you ran into the bedroom,
You were struck down,
It was your doom.

Annie, are you okay?
So, Annie are you okay?
Are you okay, Annie?
You’ve been hit by,
You’ve struck by
A smooth criminal.
Annie are you okay?
(I don’t know)
Will you tell us that you’re okay?
(I don’t know)
There’s a sign at the window,
(I don’t know)
That he struck you, a crescendo Annie.
(I don’t know)
He came into your apartment,
(I don’t know)
Left the bloodstains on the carpet,
(I don’t know why, baby)
Then you ran into the bedroom.
(I don’t know)
You were struck down,
It was your doom, Annie (dag gone it).

Annie are you okay?
(Dag gone it, baby)
Will you tell us that you’re okay?
(Dag gone it, baby)
There’s a sign at the window,
(Dag gone it, baby)
That he struck you, a crescendo Annie.
He came into your apartment,
(Dag gone it)
Left the bloodstains on the carpet.
Then you ran into the bedroom,
You were struck down.
(Dag gone it)
It was your doom, Annie.

Songwriters: Michael Jackson

#479 White Wedding- Billy Idol

Hey little sister shot gun!
It’s a nice day to start again.

Speaking of Superman. In “White Wedding” Billy Idol imagines himself as Superman to his little sister, and now he finds out she is pregnant out of wedlock. He obviously didn’t protect her. He has feelings of remorse and wonders who this new guy is. But he is a pragmatic guy: “It’s a nice day to start again.” How about a shotgun wedding?

White Wedding Meaning
Billy Idol

So why “white” wedding? So traditionally white is only worn by virgins. Obviously if his sister is pregnant, she is not a virgin. I think Idol is coming back and trying to protect his sister’s reputation and saying, “screw tradition, we’ll have a white wedding anyways because that is what my little sister deserves.” Remember, he is her superman, and he’ll help his sister get the special wedding she deserves. Tradition be damned.

White Wedding Lyrics

Hey little sister, what have you done?
Hey little sister, who’s the only one?
Hey little sister, who’s your superman?
Hey little sister, who’s the one you want?
Hey little sister, shotgun!

It’s a nice day to start again.
It’s a nice day for a white wedding.
It’s a nice day to start again.

Hey little sister, who is your whip?
Hey little sister, what’s your vice and wish?
Hey little sister, shot gun (oh yeah).
Hey little sister, who’s your superman?
Hey little sister, shot gun.

It’s a nice day to start again (come on).
It’s a nice day for a white wedding.
It’s a nice day to start again.

Take me back home.
Hey little sister, what have you done?
Hey little sister, who’s the only one?
I’ve been away for so long (so long).
I’ve been away for so long (so long).
I let you go for so long.

It’s a nice day to start again (come on).
It’s a nice day for a white wedding.
It’s a nice day to start again.

There is nothin’ fair in this world, baby.
There is nothin’ safe in this world.
And there’s nothin’ sure in this world.
And there’s nothin’ pure in this world.
Look for something left in this world.
Start again!

Come on
It’s a nice day for a white wedding.
It’s a nice day to start again.
It’s a nice day to start again.
It’s a nice day to start again.

Songwriters: Billy Idol

#395 Free Fallin- Tom Petty

She’s a good girl, crazy bout Elvis/
Loves horses and her boyfriend too.

The most lasting imagery from Tom Petty’s “Free Fallin” is the girl. She sounds like an “All-american” girl, but one of the descriptions of her always sounded funny. She “loves horses…and her boyfriend too.” It is an odd description, however, we can imagine this type of “good girl” that Petty is trying to describe.

Petty gets restless and decides to take off and break her heart. He does some driving around Southern California and begins thinking about her. The imagery is very Californian: everything there is endless streets and suburbs…and there is a lot of driving. That’s when he begins his free falling. It seems that he has second thoughts as at the end of the song (after driving around a bit) he wants to “write her name in the sky”.

Free Fallin Meaning
Petty

“Free Fallin” resonates as a bad-boy-with-a-heart rock anthem. Petty’s voice is one of the most recognizable in rock and this is his best performance. The sound is very classic rock n roll, and is one of the most unlikely releases from the 1980s. It sounds more like a 60s tune. That is part of its allure. Perhaps there was some concern that rock was dying as disco was big in the 70s and the 80s had a lot of…well, 80s music. Hearing this song at the end of the eighties reminded everyone that rocknroll was alive and kicking.

Lyrics Free Fallin

She’s a good girl, loves her mamma
Loves Jesus and America, too
She’s a good girl, crazy bout Elvis
Loves horses and her boyfriend too, yeah yeah

It’s a long day, livin’ in Reseda
There’s a free way running through the yard
I’m a bad boy ’cause I don’t even miss her
I’m a bad boy for breaking her heart

And I’m free
Free fallin’, fallin’

And I’m free
Free fallin’, fallin’
All the vampires, walkin’ through the valley
They move west down Ventura Boulevard

And all the bad boys are standing in the shadows
And the good girls are home with broken hearts
And I’m free
Free fallin’, fallin’
Now I’m free
Free fallin’, fallin’

Free fallin’, now I’m
Free fallin’, now I’m
Free fallin’, now I’m
Free fallin’, now I’m
Free fallin’, now I’m
Free fallin’, now I’m
Free fallin’, now I’m
Free fallin’

I wanna glide down, over Mulholland
Wanna write her name in the sky
I wanna free fall out into nothin’
Oh, I’m gonna leave this, this world for a while
Now I’m free
Free fallin’, fallin’
Now I’m free
Free fallin’, fallin’
Then I’m free
Free fallin’, fallin’
Now I’m free
Free fallin’, fallin’
Free fallin’, fallin’
Free fallin’, fallin’
Free fallin’, fallin’

Songwriters: Petty Thomas Earl / Lynne Jeffrey