Category Archives: 1960s songs

The top 500 best music and songs from the 1960s. Song meanings, lyrics and interpretations from your favorite artists. The Beatles, Beach Boys, Simon and Garfunkel, Dylan. See who rates the highest!

#477 Lover’s Concerto- The Supremes

How gentle is the rain, that falls gently on the meadow;
Birds high upon the trees serenade the flowers with their melodies.

The Supremes’ “Lover’s Concerto” is a bit of a cheat, since it is based upon one of the best classical songs of all time: Bach’s Minuet in G. If this song sounds familiar, that is why. There are slight differences in the tempo but it is still recognizable.

Lover's Concerto Meaning
The Supremes

I am actually surprised this is not done more often. The only other times I can recall hearing something like this is I heard a bunch of people riffing on Canon in D.  I also heard Alicia Keys write a song to Moonlight Sonata and Barry Manilow will appear later on this list with a take on a classical melody. Neither was as successful as this song.

This is a “happy new love” song. The sky is blue, the sun is shining, flowers are blooming; everything is grand. There is a place for these songs but back in the 50s and 60s pop scene they were much more abundant than they are today. This is one of the best examples of this genre in terms of melody. And the lyrics fit the theme well.

Bach’s “Minuet in G” for Comparison:

Lover’s Concerto Lyrics

How gentle is the rain
That falls softly on the meadow?
Birds, high up in the trees
Serenade the flowers with their melodies

Oh, see there beyond the hill
The bright colors of the rainbow
Some magic from above
Made this day for us just to fall in love

Now, I belong to you
From this day until forever
Just love me tenderly
And I’ll give to you every part of me

Oh, don’t ever make me cry
Through long, lonely nights without love
Be always true to me
Keep this day in your heart eternally

Someday, we shall return
To this place upon the meadow
We’ll walk out in the rain
Hear the birds above singing once again

Oh, you’ll hold me in your arms
And say once again you love me
And if your love is true
Everything will be just as wonderful

You’ll hold me in your arms
And say once again you love me
And if your love is true
Everything will be just as wonderful

You’ll hold me in your arms
And say once again you love me
And if your love is true
Everything will be

Songwriters: Sandy Linzer / Denny Randell

#473 I Got You Babe- Sonny and Cher

They say we’re young and we don’t know/
Won’t find out until we grow.

Duets are hard to pull off. For the most part I don’t find them enjoyable. But Sonny and Cher’s “I Got You Babe” is perfect for a duet. The message is about a couple singing about each other, to each other. Also, there is just the right amount of back and forth. Bono rightfully lets Cher have most of the song. His voice is average; and it comes off charming since we hear it in small doses.

I Got You Babe
Cher and Sonny

The lyrics are simplistic but that is sort of the charm. Many young lovers can probably relate to hearing how they are too young for each other, they don’t have enough money, “your hair’s too long”, “love won’t pay the rent”, etc. Bono says that just having each other is enough, and that is a nice, uplifting message.

Though “I Got You Babe” sounds simple it has its nuances that makes it great. The bridge is not forced into the song because pop songs must have bridges (“And when your sad, you’re a clown..”), the bridge fits perfectly and makes the song better. Also, the last verse is a half-step higher than the rest of the verses to allow Cher to belt it out and end the song triumphantly.

I Got You Babe Lyrics 

They say we’re young and we don’t know
We won’t find out until we grow
Well I don’t know if all that’s true
‘Cause you got me, and baby I got you

Babe
I got you babe
I got you babe

They say our love won’t pay the rent
Before it’s earned, our money’s all been spent
I guess that’s so, we don’t have a plot
But at least I’m sure of all the things we got

Babe
I got you babe
I got you babe

I got flowers in the spring
I got you to wear my ring
And when I’m sad, you’re a clown
And if I get scared, you’re always around

Don’t let them say your hair’s too long
‘Cause I don’t care, with you I can’t go wrong
Then put your little hand in mine
There ain’t no hill or mountain we can’t climb

Babe
I got you babe
I got you babe
I got you to hold my hand
I got you to understand
I got you to walk with me
I got you to talk with me
I got you to kiss goodnight
I got you to hold me tight
I got you, I won’t let go
I got you to love me so

I got you babe
I got you babe
I got you babe
I got you babe
I got you babe
I got you babe
I got you babe
I got you babe

Songwriters: Sonny Bono

#466 For What it’s Worth- Buffalo Springfield

Nobody right if everybody’s wrong.

Buffalo Springfield was ultimately a one-hit wonder, but “For What it’s Worth” has had an enormous meaning on rock. This was the first success for Stephen Stills and Neil Young—who would of course go on to create CSNY. The opening riff to “For What it’s Worth” is so iconic that I think it transcends even their two careers…if that is possible. (Bassist Jim Messina would later create Poco).

Every movie that involves the 60s or the Vietnam War or the civil rights movement is not complete without this song in the soundtrack. It is simply not done.

The lyrics of “For What it’s Worth” are not as protest-y as its reputation. The message is “we should take a second and think about things”. Radical! The guitar refrain is obviously what will be noticed, but the rest of the guitar work sounds great too. It is actually a welcome change from the familiar riff. It shows off Neil Young’s guitar skills in a way that we don’t see in his solo work or CSNY.

For What its Worth Meaning

Buffalo Springfield

For What It’s Worth Lyrics

There’s something happening here.
What it is ain’t exactly clear.
There’s a man with a gun over there.
Telling me I got to beware.

I think it’s time we stop, children, what’s that sound?
Everybody look what’s going down.

There’s battle lines being drawn.
Nobody’s right if everybody’s wrong.
Young people speaking their minds,
Getting so much resistance from behind.

It’s time we stop, hey, what’s that sound?
Everybody look what’s going down.

What a field-day for the heat.
A thousand people in the street.
Singing songs and carrying signs,
Mostly say, hooray for our side.

It’s s time we stop, hey, what’s that sound?
Everybody look what’s going down.

Paranoia strikes deep-
Into your life it will creep.
It starts when you’re always afraid,
You step out of line, the man come and take you away.

We better stop, hey, what’s that sound?
Everybody look what’s going down.
Stop, hey, what’s that sound?
Everybody look what’s going down.
Stop, now, what’s that sound?
Everybody look what’s going down.
Stop, children, what’s that sound?
Everybody look what’s going down.

Songwriters: Stephen Stills